Listen to the Opinion, Speak to the Experience Part 2

“For acquired knowledge cannot be divorced from the existence in which it is acquired.” – Dietrich Bonhoeffer

It’s been pointed out to me that my previous post is a bit confusing. Granted, it’s a topic that’s probably worth writing several books, and a skill that can take years of personal development. But I want to drill down to a core that’s useful even in the short-term.

There is no such thing as objectivity among humans. (As software people are fond of saying, “It’s not a bug, it’s a feature.”) In collaboration with one another, we represent a wide array of experiences and we have each filtered out what we have found to be the salient points that we apply as broad rules of the world. This is a cognitive belief, or what we call an “opinion.”

But behind the opinion is the semi-instinctual gut feeling that is our initial filter. This is an emotional belief: a reaction, derived from our experience, that we first feel and then attempt to understand through logic and words. (I say “semi-instinctual” because highly developed, balanced individuals can actually inform and change their emotional beliefs.)

So, when we are dealing with people–whether it’s working toward consensus at a meeting, motivating a co-worker, or addressing a client’s concerns–we are dealing with a complex of emotional beliefs, masquerading as opinions.

Particularly in business, we’ve been taught to act as though the world is a rational place–or at least, that it can be made rational. And so when we encounter conflicts in opinions, we take all the facts and information from those opinions and try to reconcile them. When we can’t, we start throwing out those that don’t agree with our views until we come up with a patchwork of ideas that meshes together. Or worse, we split the difference between competing opinions and call it “compromise” just to get people on board.

The message of this process is that not every experience is valuable. If I’ve contributed my opinion and it’s been thrown out, it means that I am wrong and my perspective is useless (according to whoever is throwing it out).

But there are reasons for every opinion that are relevant to each solution. If I have a difference of opinion from everyone else in the room, it means I have an important experience to contribute–even if my opinion, the product of that experience, doesn’t bear with reality.

So much of our focus in management (and even leadership) is on getting the facts, the efforts, the opinions to fit together into a whole. And so we may often end up with solutions that are like an exquisite corpse: a too-elaborate tacking-together of mismatched parts that could never be functional.

What if, instead of trying to mesh together a patchwork of opinions, we instead undercut the opinions and worked to form an understanding of the human experience underlying the problem? What if there were no relevant experiences that didn’t matter? What if an opinion, which we often use as a way of rationalizing our emotional beliefs, is actually a lens we can look through to find the experiences that are most important to what we’re doing? Could we find a way to address the whole reality of our human experience of a problem, instead of presuming that our years of experience or our level of mastery elevate us toward perfection?

I’m not sure of the answer, but I do know that developing my own emotional maturity and my own ability to see through the eyes of others is one of the skills I value most in my business experience. This post is my own opinion: the way that I make sense of my experience. I look forward to being informed by yours.

Listen to the Opinion, Speak to the Experience

We each have at least two sets of beliefs: cognitive beliefs and emotional beliefs. Which one do you believe controls you?

You’re likely to say your cognitive beliefs–because it’s your cognitive self that is analyzing the question, and that part of yourself wants to believe it is dominant. That it has the power to bully your emotional self into agreeing with it.

But if we were all governed by our rational selves, we would look at the same facts, see the same things, and form the same opinions. There would be no public debate, and we certainly wouldn’t have the incessant raving of rabid pundits on every form of media.

My emotional beliefs determine which facts are more important than others, which virtues are more significant than others, which vices are more destructive than others. They are the substance of all my conflicts with my lover, my mother, my best friend, my boss.

But my cognitive self wants to believe it’s in control. And so it formulates cognitive beliefs–what we call “opinions.” These opinions form a shield around our emotional beliefs, which is why we hold onto opinions so dearly. To expose our emotional beliefs would leave them open to invalidation.

To measure and count and address the opinions of people is to be a representative, not a leader. A leader isn’t concerned with opinions, she is concerned with experiences.

Consider the myriad experiences in the debates over immigration: legal immigrants with illegal-immigrant friends and family who risked their lives to cross the border; legal immigrants who struggled through a complex system; immigrants whose legal status is threatened or has slipped; union workers put out of work by immigrants; refugees from physical and economic violence; citizens who live close to violent border towns; illegal parents of legal children; kids who grew up with immigrant parents or grandparents. Every one of these people (and more) has his own experience that informs his opinions about immigration.

Phenomenology, the study of experiences, adjoins the fields of philosophy and anthropology. It’s a field that has gained some notoriety lately through books such as The Moment of Clarity, which describes case studies using anthropological techniques to inform business decisions at companies like LEGO and Intel. It also helps to turn this inquiry inward, to observe not just the experiences of customers but the experiences of the people within my own organization.

When I shout an opinion at you, what I’m saying is, “This is the best way I can see to reconcile my own experience with what I know about the world.” If you attempt to address my opinion, you are saying, “You just don’t know enough about the world.” When you attempt to address my experience, however, you are asking, “How can your experience inform what we know about the problem?” Doing so not only moves a team toward consensus, but promises a better solution.

Of course, it’s not wise to ask, “What experience do you think is driving your opinion?” Nobody wants to turn a business meeting into a therapy session. Instead, try to live like an anthropologist among those you would seek to lead. Watch how they work and observe their environment. Hear the patterns of their complaints and identify their core beliefs. Consider their incentives and responsibilities. Try to become one of them (without taking it overboard and acting like you can do what they do). Always, always ask, “Why?”

Over time, and with practice, you will start to hear the experiences. And as you do, it will become possible to address problems in a real, substantial way, rather than simply speaking to the opinions.

If you agree or disagree, please share your own experience in the comments so that we can all learn from it.

Do This, Not That: Market Versus Social Norms

Dan Ariely makes a distinction between market norms and social norms in the fourth chapter of Predictably Irrational. He touches briefly upon the way that employers mix their messages, dangerously breaking social contracts and making things about money when they are attempting to lead a socially-driven organization.

As the book documents, operating on market norms (i.e., thinking about the money I’m getting in return for the activity I’m doing) can damage productivity even when compensation is considered adequate. But worst of all, it can damage relationships when we assumed we were operating on higher terms–social norms like trust, reciprocity, and friendship. And we can’t mix the two: once we perceive that our efforts are being valued according to market norms, that’s the mindset we use for the entire interaction.

The next era of commerce will not be kind to organizations that depend on market norms, except as perhaps a back end, business-to-business protocol. For the most part, those things that are driven by competition, price, and data can be outsourced to computers and become a secondary function of people-facing businesses, businesses that use humans for those things humans are uniquely capable of accomplishing.

If you’re still using market norms to run your business, it’s best to start weeding them out now, before they relieve you of all your self-motivated people and leave you with half-hearted key-punchers.

Here are a few “do this, not that” guidelines for common business practices:

  1. Pay healthy salaries, don’t track hours. Some businesses require hour tracking, but to the extent that it’s possible your people shouldn’t identify the time they put in with dollar amounts. Doing so puts them in a market mindset: Am I getting enough money to be worth what I’m doing? Paying healthy salaries instead removes market questions from their minds, and has the potential to make the rare transformation of money into a social contract: the business is a community that takes care of your needs, rather than an employer compensating you for your activity. This is the genius behind Netflix’s policy to pay employees as much as they would pay to keep them: there’s no need for employees to ever negotiate salary or think about how much their work is worth, so they operate on a basis of trust and social contract rather than constantly competing with the employer for a fair wage. Even better if employees have direct deposit, where the money simply appears in their accounts as if by magic.
  2. Appeal to social contract, don’t talk about money. It should go without saying that you should never bring up the fact that you’re paying an employee, or use money as a bargaining chip for a change in behavior. They’re already aware that a threat to their position in the community is a threat to their livelihood. Focus on the social contract rather than the monetary transaction. Are they letting down their co-workers? Are they hurting their ability to make a difference in the organization? Talk about those things. If you have to mention money, it’s already a lost cause. (If they’re the ones bringing money into it, you might as well address their concerns–they’re already thinking in market terms. Take it as a form of feedback on your ability to keep market norms out of your business, and consider whether the issues raised might affect other people as well.)
  3. Make your people financially secure, don’t cut costs at their expense. If your employees have to be worried about paying the rent, covering bills, and eating, then they are already thinking about their jobs in terms of market norms. If you’re going to employ someone, make sure you’re ready to pay enough that they don’t have to be concerned about the basics of life. That includes health care, child care, and retirement. Ariely and James Heyman report that people who perceived themselves as paid inadequately lost as much as a third of their productivity at a very simple mechanical task (forget creative problem solving), and that’s without factoring in any worries about feeding their children. And if Costco is any indication, paying a living wage is a clear path to sustainable business.
  4. Share successes, don’t pay bonuses. This is a tricky one: Traditionally, bonuses are the way you share successes. But paying bonuses can create a clear line between the actions of an employee and the money, turning the action into market-regulated action rather than social-regulated action. There are different ways of accomplishing essentially the same thing. One is to reframe the concept of compensation entirely, as with my post on taxation. If employees interpret the amount they earn not as a payment from you but as something they are accomplishing with you, it may be possible to avoid activating market norms. Another way is to award the bonus as an in-kind gift–but this is fraught with pitfalls. Having the employee choose the gift causes the employee to think about the monetary value; choosing the gift for the employee puts one in danger of choosing something the employee doesn’t want or need; and having co-workers choose may invite comparison and market-norm thinking among the co-workers.
  5. Show loyalty, don’t dig moats. There are already a lot of financial obstacles to leaving a job. Creating new ones causes your people to think about the job in terms of their financial need instead of thinking about the social contract. Instead, you should make it as easy as possible for them to leave–and challenge yourself to convince them they shouldn’t. To the extent your people feel that they are with you by choice and not by necessity, they will be more likely to act on social norms instead of market norms.

It can be difficult to manage the financial needs of the business while operating on social norms, but undermining the social norms can quickly undo all the effort you’ve placed into creating them. If you start by thinking of your organization as a community, a family, or a nation, you will be on more solid ground. And when in doubt, leave the money out of it.

Finding Yourself: Acting Like a Leader

In my life, I have to play many roles. For most of my casual life, I can play roles that suit the way I typically act–roles that are consistent with the way I usually tell my story, and modes of being that I’m comfortable slipping into. But often in business and in leadership, I have to take on roles I’m less comfortable playing.

When I’m communicating with multiple stakeholders, for example, I have to take on a different role with each one. With IT, I have to be someone who cares about process, rules, requirements, risks, ROI. With the knowledge management team, I’m a person who is concerned with lowering the barriers to documenting and sharing knowledge. With executives, I am someone who cares about strategic initiatives. In each instance I play a different role.

The famed acting teacher Uta Hagen wrote in A Challenge For The Actor about her struggle to “lose herself” in her roles when she first studied acting. The expectation is often that we have to leave ourselves in some room, and assume the posture, the voice, the gestures, and the attitude of an entirely different person. We have to become so engaged in this other person that we forget who we are and transform completely into the fictional role.

I’ve seen it happen often where colleagues felt they had to drop who they were in order to play a particular “role” in a business context. They had to pretend to be leaders, to pretend to be presenters, to pretend to be experts. They had to wear different clothes and censor thoughts and act like they cared about things. And in some cases, they pulled it off. If you’re making a sale, you can pretend for a couple of hours. But if you’re leading a team or an organization, pretending won’t get you very far.

Hagen’s revelation that finally allowed her to act well was that “losing herself” was not just a red herring but an impossible task. We can never abandon ourselves, and even if we could we would be empty, a complete blank without human features or relations. (Perhaps you’ve met such “empty” people–often they are diagnosed with narcissism or sociopathy, and have to work much harder to be authentic if authenticity is something they desire.) Instead of “losing herself,” Hagen realized she had to find herself in the role.

A great actor doesn’t connect with us because of his excellent display of mannerisms and vocalizations. Compare Johnny Depp’s Jack Sparrow in Pirates of the Caribbean with Meryl Streep’s Miranda Priestly in The Devil Wears Prada. Each features an acclaimed actor in an over-the-top role. But although Jack Sparrow is entertaining, there is an edge to Priestly that makes us bleed: she is in the end a human being like we are, despite her conniving and condescension.

Any role I assume–a leader, an advisor, a seller, a buyer, a mentor–is not something I can piece together from a set of ideas about what that kind of person should be, stitched together like Frankenstein’s monster and given life by sheer force of will. In order to inhabit each role, I must find the version of myself that is the role I’m assuming–the version that really cares about the same things as his audience, and doesn’t just pretend so that he can manipulate that audience.

To that end, Uta Hagen laid out nine questions to understand a role. Actors would lay these out and understand them in detail, but as a professional, it’s better to work out a way of thinking for different groups of stakeholders.

  1. Who am I? Consider your own background, your strengths and particularly the differences in your perspective that could be valuable to your audience. Your influence begins with truths about who you are–not necessarily the truths you are used to playing, but truths nonetheless.
  2. What time is it? Consider the circumstances in the world: What are the current movements in your audience’s industry and professional field? What are they dealing with on a day to day basis? How does that affect the version of yourself that relates to them? What time of day is it? How does that affect you? How does it affect your audience?
  3. Where am I? Physical context is very important to our psychology. Are you in an executive boardroom? A cubicle? Have you flown in from far away? Has your audience?
  4. What surrounds me? Notice the physical features of the reality around you. These are part of the context of your audience and so they are a part of you as well.
  5. What are the given (immediate) circumstances? What do all the present parties have on their minds? Where has your audience come from just before the present moment, and where are they going afterward? Are people under pressure to meet a deadline? Are they dealing with the fallout of a controversy? Are things slow and a lot of people on vacation? Consider how these things affect your audience and, consequently, your role in relation to them.
  6. What is my relationship? Why do you know these people? Who do they think you are? What kind of influence do you have on them? (You always have some kind of influence–be specific.) What other relationships are important to the situation, e.g., does your audience see you as a protege, representative, or advisor to someone they respect?
  7. What do I want? Remember that this desire is specific to your role: that is, the role that is interacting with this specific audience. You want something in relation to them: either from them, for them, or better yet, with them. If you want too many things, or what you want is not specific, your role will be unclear and your presentation will be confusing.
  8. What is in my way? The obstacles you face will usually relate to your audience, e.g., getting their buy-in. If it isn’t, you are wasting their time and yours. Be specific about these obstacles: Is it a matter of investment level? Risks? Timeline? Priorities?
  9. What do I do to get what I want? These questions are about you and your role. Don’t get ahead of yourself by solving your audience’s problems for them. What are you doing right now that will achieve the goal of the current interaction? How can you alleviate your audience’s concerns and help them see the opportunity you see?

In the end, you aren’t aiming for a deception, but a version of yourself–found in your personal truths–that relates to and operates with your audience. Understanding how you create those roles, and how you can better refine them, is ultimately a process of becoming more authentic in each of those roles. Rather than putting them on like masks, you will become more yourself in each of them, and consequently a better leader in all of them.

Motivating by Story: A Lesson from Theater

When you go to see a play, you may sit down with some assumptions about the people you see on stage. Among them may be an assumption that all those people want to be there.

A stage or a film set isn’t substantively different from the environment on a work team–the egos may be a little bigger, but if you’ve spent any time leading people, you’ve probably seen some big egos already.

One of the difficulties you might not expect lies in getting the cast on the same page. A director’s ability to interpret a script (which is tantamount to meeting the requirements of a project) depends on each actor individually working with that interpretation.

The irony is that for everyone to be on the same page, everyone has to be on a different page. Having a big-picture understanding of Hamlet finding out about and then exacting revenge for the murder of his father is a great perspective to have, but it’s not necessarily the story each actor is playing. Each person in the cast has to have a unique story in order to effectively and convincingly fulfill his duties.

To Laertes, Hamlet is a story about revenge–against his sister’s boyfriend for driving her to insanity and suicide. To Claudius, it’s a story about the ambition of a man who wouldn’t accept the cards dealt to him and worked to improve his station.

Similarly, one of the most important motivators in a team is not to see the big picture, but to see the small one–to see my story. It’s too easy to clock in and check out when I see what I’m doing as serving someone else’s story, and I’m just selling a bit of my life for a paycheck. To live fully within the work I’m doing, I have to understand: what am I doing right now to live my values?

Do you know the stories your people are telling? Do you know not only their value, but their values? Every level of organization has separate values: a nation, a business, a team, an individual. If you know their values, it will be easy to help them see their own stories in the larger story you’re telling together.

“Sure,” you might say, “I can show a key player how his individual story weaves into the big picture. But there are some people–interns, new hires, people from other departments or other companies–who tend to see their roles as small and interchangeable. And they are,” you may even say, “because they don’t have the specialization or depth of involvement to create unique value.”

There are two roles in Hamlet that are so famously insignificant and interchangeable that Tom Stoppard wrote a play about how insignificant and interchangeable they are: Hamlet’s friends, Rosencrantz and Guildenstern.

These two characters have no distinguishing features and serve only to move the plot forward. The actors could easily clock in and check out. But a good director doesn’t ignore even the smallest part, particularly if she already has star players locking down the major roles. The flavor of the end product can be disproportionately affected by these seemingly insignificant roles.

Ultimately it comes down to the same objective: Even these small, interchangeable players have to see what they do as the integral, project-defining work that it is. Losing even the least significant roles confuses and degrades the end product.

Could you have a successful product without it? Of course–it happens all the time. I’ve seen successful projects with much more significant roles that were poorly executed. But attention to the least of your team members, and the ability to integrate their stories seamlessly into the final product, is what separates a passable director from a great leader. Learning the individual stories of each of your players, and weaving each of them into the whole, can take a project that is unlikely to even be finished and turn it into an incredible success.

How to Use Your Diversity

We intuitively know there’s value in diversity: the Mission Impossible team, the A-Team, Ocean’s Eleven, the Guardians of the Galaxy.

But in business the tradition has been to focus on things that can be tabulated: years of experience, education level, predefined skill sets–and usually to fill the abstract concept of a “position.” In this context, “diversity” is a buzz word that means “someone who looks different”–different clothes, different rituals, different language–but someone who is still plugged into the same ways of thinking.

It’s not that such people don’t add diversity. But the value of their diversity is often suppressed in favor of the appearance of diversity. The game, while at the office at least, is conformity.

The value of diversity comes with different modes of thinking. Any given person can see a problem from multiple angles, but never from all angles. Having and utilizing real diversity, then, depends on being able to bring out the difference in perspective and put it to work in combination with other perspectives.

From a recruiting perspective, this means hiring to fill the blind spots. A blind spot is different from a role, and it behooves a manager to understand where blind spots may exist in a team.

From a management perspective, this means practicing constructive conflict. Constructive conflict is a way not only to allow but to encourage dissenting opinions in such a way that final solutions benefit from very different ideas.

Finally, it means management that is able to see the value in other perspectives. Much of the value of these perspectives may not be rational, but that doesn’t mean there isn’t reason behind them. Finding tools to judge these perspectives, and to incorporate them together, is critical to effective management of diverse teams.

One final point: Diversity of perspective must be unified by unity of purpose. Last week, I described founding myth in terms of shared origin, shared values, and shared destiny. These are critical to the development of a diverse community.

Living the Myth

Once you have your founding myth, what do you do with it? You can’t exactly distribute an epic poem to your people. Do you have to update your internal training materials?

Fortunately, this isn’t necessary. Most of ancient Rome couldn’t even read, but that didn’t mean they didn’t identify themselves with the founding story of Romulus and Remus.

Your founding myth will become the centerpoint of your shared identity, but it should become a story your people tell intuitively, not because they’ve memorized it off a sheet of paper. Many cultures tell their myths through holidays and religious practices–but another way of looking at it is that the myth is told through the activities that establish the culture’s identity. What activities that establish your organization’s identity?

If your response is, “Almost everything my organization does,” you’re starting to get the idea. The story is told every time two or more people assemble in the name of the organization. So the challenging process is not in telling the story at all, but in changing the story that’s being told.

  1. Believe the myth. Have you created something you believe, or is it something you wish were true? If it’s the latter, you’d better head back to the drawing board. There has never been a story that existed outside of a human mind. The founding myth must be believed into existence–by way of its influence over actions and motivations. But the founding myth is not magic. It will help to guide decisions and create community, and it will help the culture of your organization to hold together and move in the same direction. But it will only work if it’s based in reality, and it is genuinely believed by the people in the organization. Belief starts with you.
  2. Share your beliefs. If you believe the myth, you will find it working itself into your everyday language. The ideas and beliefs will be embodied in your presentations, your conversations, the way you lead your meetings. You will reference your shared past, call upon your shared values, and look forward to your shared destiny, sure as a Pentecostal preacher on a Sunday morning.
  3. Pay attention to the response. How your people receive and react to the story you’re telling will indicate changes you may need to make. You may have blind spots where the facts as you see them don’t match up with the experience of others, and have to revise your myth. You may have pain points where you will have to change the way your organization operates in order to align with your myth. Do people disagree with the conclusions you reach? Do you experience resistance to initiatives? Do people seem like they’re going through the motions without really understanding the purpose? If your myth is told well and aligns with what everyone is doing, your people will act with purpose; if your myth isn’t aligned with reality, your people will be annoyed at being asked to keep up a compulsory fiction.
  4. Revise. Pay attention to the way people respond, and you’ll start to see where you might have to make changes to your myth, and where you might have to make changes to your business. In all likelihood, you will need to do both. How will you know the difference? There aren’t any hard-and-fast rules, but as a general rule of thumb, if the negative or lackluster response is widespread, you probably need to revise your myth. If the poor response is concentrated in the core areas of your business–the people who best know your organization’s purpose–you probably need to revise your myth.
  5. Keep it up. Don’t let growing pains get you down; there will be people who don’t agree with your vision exactly, and while you should listen to them, you shouldn’t always revise your myth to please them. If you have a consensus within your organization–not just at the executive level (if applicable), but the organization as a whole, including all major divisions–then you will simply have to accept the fact that some people will take more time to get on board, and some people will never get on board and probably need to find a different community.

You will notice that both the story and the business will have to change. (I hope you are expecting for your business to change, since it’s the whole point of this exercise.) But after a few iterations, you should find a comfortable guiding myth.

And then you will have the privilege of encountering the great truth, “It works until it doesn’t.”

What I’ve written this week could be the content of an entire set of books, but these principles should at least give you some ideas about how to approach the enhancement of your organization’s story and the development of its community. And if not, I’m always willing to be wrong. I look forward to hearing your observations and experiences in the comments.